Photograph by Victor Skrebneski/Michael Ochs Archives/Getty Images Throughout the 1960s, the Supremes topped the charts with a barrage of hits, from “Baby Love” to “My World is Empty Without You” to “I Hear a Symphony.” They also dazzled audiences with their head-to-toe style. Motown Records’ premiere girl group didn’t have the hundred-thousand-dollar glam squads today’s stars have up their sleeves, but Diana Ross, Mary Wilson and Florence Ballard made do. They relied on curling irons and jars of hair goo, along with an extensive wig collection. If their shoes were a different color than their fleet of slinky evening gowns, they would dye them to match. This story is from Kinfolk Issue Twenty-Eight Buy Now Related Stories Music Issue 51 Zach Condon A check-in with the Beirut musician. Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’” Music Issue 50 Power Tool Master piano tuner Ulrich Gerhartz on the tool he couldn’t work without. Music Issue 50 Odd Jobs Molly Lewis, professional whistler. Music Issue 50 I Will Always Love You “It would be hard pitching karaoke today, if it didn’t already exist.” Music Issue 50 Behind the Scenes Film composer Emile Mosseri on the art of setting music to film.
Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’”
Music Issue 50 I Will Always Love You “It would be hard pitching karaoke today, if it didn’t already exist.”