Top by Malene Oddershede Bach, suit by Roberta Einer and jewelry by Pilgrim To sing is to make one’s voice heard. For singer-songwriter Cherie Jones-Mattis, performing also means broadcasting her inner voice. And that’s no mean feat for a woman who prides herself on introspection. Yet despite her shyness and default setting of British reserve, Jones-Mattis’ complete commitment to music and burning ambition to be the strongest version of herself has carried her into a profession she’s dreamed about since childhood. Shortly after the release of her debut album, New Skin, she talks This story is from Kinfolk Issue Twenty-Three Buy Now Related Stories Music Issue 51 Zach Condon A check-in with the Beirut musician. Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’” Music Issue 50 Odd Jobs Molly Lewis, professional whistler. Music Issue 50 Behind the Scenes Film composer Emile Mosseri on the art of setting music to film. Music Issue 49 Tove Lo The pop star reflects on the big feelings behind her biggest hits. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’”
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
