With rouged lips, red-lacquered nails, wide eyes and bowed brows that look inked by a fine-tipped brush, the artist Anh Duong sits on a velvet couch in her West Village apartment. Graceful and pole-straight like the ballerina she once was, Duong, now 57, is a rebuke to the notion that beauty belongs to the young. Behind her hangs a self-portrait—an almost gnarled reflection of herself in thigh-high stockings and garish smudges of makeup, a cluster of wilting, vulvic calla lilies This story is from Kinfolk Issue Twenty-Nine Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Issue 48 Jordan Casteel The acclaimed painter of people—and now plants. Arts & Culture Issue 48 Peer Review Artist William Cobbing on painter, publisher—and family friend—Franciszka Themerson. Arts & Culture Issue 34 Cult Rooms: Francis Bacon Francis Bacon harvested his master works from the chaotic “compost” of his West London studio. Arts & Culture Issue 27 Michaela DePrince The young ballerina dancing all over the stereotypes of a pressure-intense career. Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium.
Arts & Culture Issue 48 Peer Review Artist William Cobbing on painter, publisher—and family friend—Franciszka Themerson.
Arts & Culture Issue 34 Cult Rooms: Francis Bacon Francis Bacon harvested his master works from the chaotic “compost” of his West London studio.
Arts & Culture Issue 27 Michaela DePrince The young ballerina dancing all over the stereotypes of a pressure-intense career.
