Super-egg by Piet Hein, glass vase by Holmegaard, large vase by Würtz Ceramics, small vase and sphere by Anders Arhøj, jug by Anette Friis Brahe and bonbonnieres by Ditte Fischer, Broste and Kristina Dam In the early 1960s, the Danish mathematician–turned–poet Piet Hein invented the “super-ellipse,” a precise geometrical cross between an oval and a rectangle. He applied his new mathematical formula to everything from a Swedish traffic hub to designs for tables and chairs and, in 1965, to the 1.5-inch-tall brass nugget he called the “super-egg.” The super-egg was a three-dimensional expression of the super-ellipse—an egg that could stand on its tip. At first, it was marketed as a thinking person’s drinking game. Tip the super-egg over; if it lands on its head, drink. If it lands on its side, drink. This story is from Kinfolk Issue Twenty-One Buy Now Related Stories Design Issue 51 John Pawson From the king of minimalism: “I find the essential and get the design down to a point where you can’t add or subtract from it.” Design Interiors Issue 51 Axel Vervoordt Inside the world of Axel Vervoordt. Design Issue 51 Inga Sempé “Minimalism is boring as hell, and on top of that, it’s preachy.” Design Issue 51 Halleroed Meet the giants of Swedish retail design. Design Issue 51 Andrew Trotter The architect and designer on renewing traditional architecture. Design Issue 51 Kim Lenschow The architect who wants to show you how your house works.
Design Issue 51 John Pawson From the king of minimalism: “I find the essential and get the design down to a point where you can’t add or subtract from it.”
