A grapevine twists through a pergola in the hills above Battir, an ancient Palestinian village just west of Bethlehem. Clusters of grapes dangle over a tranquil, shaded terrace that looks out on an ancient scene—terraces of dry stone walls, olive groves and Roman-era irrigation systems. The landscape is a living history: In 2014, Battir was awarded UNESCO World Heritage Site status in honor of the traditional agricultural methods still practiced there.1 Farther down the valley, however, is a poignant symbol of more recent history—a barbed wire fence separating the occupied West Bank from Jerusalem.2 The Israeli military often prevents Palestinian farmers in Gaza and the West Bank from accessing their land during harvest on the pretext of security concerns, and in recent years, Israeli settlers have routinely burned fields and cut down olive and fruit trees to try and eradicate Palestinians from their lands. According to data gathered by the This story is from Kinfolk Issue Fifty Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Issue 50 Close Knit Meet the weavers keeping traditional Egyptian tapestry-making alive. Arts & Culture Issue 50 The Old Gays Inside a Californian TikTok “content house” of a very different stripe. Arts & Culture Issue 50 Free Wheelers On the road with London’s Velociposse Cycling Club. Arts & Culture Issue 50 Annie Rauwerda What the depths of Wikipedia can teach us all about community.
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