There Are Black People in the Future. So goes a phrase coined by artist Alisha B. Wormsley. It’s a provocative statement, in part because it seems both obvious—why wouldn’t Black people exist in the future?—and interested in challenging the notion that they might not. For Olalekan Jeyifous, a Brooklyn-based architect and artist, the question of where Black people might exist, both geographically and otherwise, resides squarely at the center of his work. In both large-scale public art and speculative architecture, This story is from Kinfolk Issue Forty Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Issue 50 Close Knit Meet the weavers keeping traditional Egyptian tapestry-making alive. Arts & Culture Issue 50 New Roots The Palestinian agriculture collective sowing seeds of community. Arts & Culture Issue 50 Mariam Issoufou Kamara The architect building the ruins of the future. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables.
Arts & Culture Issue 50 Close Knit Meet the weavers keeping traditional Egyptian tapestry-making alive.
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
