Laura Nyro was a songwriter’s songwriter, a prodigiously talented teenager from Connecticut, but inextricably linked to New York City. Between 1967 and 1971, she released five records of soul-meets-gospel-meets-show tunes-meets-rock ’n’ roll, influencing everyone from Elton John to Carole King to Joni Mitchell. I’m not sure I got Nyro as a kid, when her music would float through the walls of my bedroom from a record player elsewhere in our house in Wales. There’d be the odd flash of something. The climax of “Tom Cat Goodby”—where the shuffling pop of the first half segues into the terse, tense repetitive line: I’m going to the country, gonna kill my lover man, for instance. Her compositions and musical decisions felt like challenges, obstacles to This story is from Kinfolk Issue Thirty-six Buy Now Related Stories Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’” Music Issue 50 Odd Jobs Molly Lewis, professional whistler. Music Issue 50 Behind the Scenes Film composer Emile Mosseri on the art of setting music to film. Music Issue 49 Tove Lo The pop star reflects on the big feelings behind her biggest hits. Music Issue 49 Róisín Murphy Five questions for an art-pop icon. Music Issue 46 Hun Choi DJ Hunee outlines his dance floor philosophy.
Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’”
