Kaytranada’s working on it. The Haitian-born, Quebec-raised producer, whose 2016 debut 99.9% was a glitter-bomb dropped onto the dance floor, is back on his grind, mixing songs, building grooves and grappling with a surprising degree of self-doubt. The last time he was doing this—finishing an album—he was living with his mom and best known as a bedroom beatmaker who put out (illicit) remixes of Janet Jackson and Missy Elliott. Since then Louis Kevin Celestin has left home, come out, and This story is from Kinfolk Issue Thirty-Three Buy Now Related Stories Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’” Music Issue 46 Lil Silva A superstar collaborator steps into the spotlight. Music Issue 51 Zach Condon A check-in with the Beirut musician. Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’” Music Issue 50 Power Tool Master piano tuner Ulrich Gerhartz on the tool he couldn’t work without. Music Issue 50 Odd Jobs Molly Lewis, professional whistler.
Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’”
Music Issue 50 Caroline Polachek “The thing that eats at me a little bit is how subjective my music is.... You can’t get away from ‘Caroline Polachek.’”
