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  • Arts & Culture
  • Issue 49

The Danish arts writer finding clarity between the lines.
Words by Benjamin Dane. Photography by Cecilie Jegsen. Styling by Simone Henneberg.

Amalie Smith’s most recent novel, Thread Ripper, presents itself as a “hybrid.” Two different narrative threads—one printed on the left pages and one printed on the facing right pages—decipher the connections between old weaving looms and computers, all the while merging accounts of iconic women in science and mythology together with philosophical and personal ruminations into one coherent story. The term “hybrid” is meant as a genre, but it would also be a fitting way to describe the entire body


This story is from Kinfolk Issue Forty-Nine

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