Smith wears a shirt and boots by MARK KENLY DOMINO TAN and a skirt by SLOTH ROUSING. Amalie Smith’s most recent novel, Thread Ripper, presents itself as a “hybrid.” Two different narrative threads—one printed on the left pages and one printed on the facing right pages—decipher the connections between old weaving looms and computers, all the while merging accounts of iconic women in science and mythology together with philosophical and personal ruminations into one coherent story. The term “hybrid” is meant as a genre, but it would also be a fitting way to describe the entire body This story is from Kinfolk Issue Forty-Nine Buy Now Related Stories Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Issue 51 On The Shelf Writer Claire-Louise Bennett reflects on her process. Arts & Culture Issue 50 Angela Trimbur “I’m talking to the Metropolitan Transportation Authority…. I want to do a rat king ballet in the subway.” Arts & Culture Issue 50 On the Shelf Writer Hua Hsu on faxes and friendship. Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables.
Arts & Culture Issue 50 Angela Trimbur “I’m talking to the Metropolitan Transportation Authority…. I want to do a rat king ballet in the subway.”
Arts & Culture Issue 49 Karin Mamma Andersson Inside the moody, mysterious world of Sweden’s preeminent painter.
