Balconies are transitional spaces—at once inside and outside, private and public. They are also a luxury: However pleasant they may be for lounging or useful for circulating air through apartments in hot climates, they cannot be considered essential. These semi-enclosed spaces create illusions. Balcony-dwellers are seen but not heard, among the people but separate—and even protected—from them, as monarchs and presidents know well. Balconies trick an audience gathered for royal wedding celebrations or a pope’s speech into believing, if only for a moment, that strict social hierarchies do not exist since everyone is sharing the same air. But the very nature of the balcony’s design—that it cannot be put on the ground floor—reinforces the notion that its This story is from Kinfolk Issue Thirty-One Buy Now Related Stories Arts & Culture Issue 50 Point of View Poet Victoria Adukwei Bulley describes a scene from her local library. Arts & Culture Issue 51 Emily Gernild The Danish painter breathing new life into an old medium. Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables. Arts & Culture Design Issue 51 How to Make a Chair And do it on a tiny budget. Arts & Culture Issue 51 Odd Jobs The comedian with strong opinions about your home décor. Arts & Culture Issue 51 Tall Order The hidden depths of height.
Arts & Culture Issue 50 Point of View Poet Victoria Adukwei Bulley describes a scene from her local library.
Arts & Culture Food Issue 51 Imogen Kwok The artist takes food styling quite literally, creating accessories out of fruits and vegetables.
