For 40 years, photographer and historian John Margolies drove across America photographing roadside architecture. He documented coffee shops shaped like coffeepots, hot dog–shaped fast-food stands, even a Shell gas station that looked like, you guessed it, a giant scallop shell. Margolies had appreciated these unpretentious buildings since he was a kid, and he captured them unsentimentally. These joyfully literal buildings have a name: architectural ducks. The term—coined by Denise Scott Brown, Robert Venturi and Steven Izenour in their seminal book, Learning from Las Vegas—describes structures that incorporate their function into their very fabric. The concrete Big Duck shop, built by a Long Island duck farmer, inspired the moniker. Scott Brown, Venturi and Izenour differentiated architectural ducks from the more commonplace “decorated sheds”—functional buildings with ornamental signage. In the post–World War II years, ducks were ubiquitous This story is from Kinfolk Issue Thirty-Nine Buy Now Related Stories Design Issue 51 John Pawson From the king of minimalism: “I find the essential and get the design down to a point where you can’t add or subtract from it.” Design Interiors Issue 51 Axel Vervoordt Inside the world of Axel Vervoordt. Design Issue 51 Kim Lenschow The architect who wants to show you how your house works. Design Issue 51 Sean Canty The Harvard professor on architecture as a driver for social change. Design Issue 51 Cult Rooms The Pavilhão de Portugal. Design Issue 49 Marcio Kogan On the pursuit of perfection.
Design Issue 51 John Pawson From the king of minimalism: “I find the essential and get the design down to a point where you can’t add or subtract from it.”