Getting Lost
Neuroscientist Paul Dudchenko speaks on why we get lost, the distress and thrill of disorientation and how getting lost can improve your skills.
Neuroscientist Paul Dudchenko speaks on why we get lost, the distress and thrill of disorientation and how getting lost can improve your skills.
Dutch architect Anne Holtrop is known for designs that incorporate abstract, unexpected references to engage the visitor's imagination.
Danielle Arps is the interior designer of choice for New York City's thriving start-ups.
We speak with Jason Beckley on how working for big brands has fine-tuned his eye for products.
Gesamtkunstwerk—the concept that a total work of art is greater than its parts—influenced contemporary art and architecture through the 20th century.
Serving as an homage to Le Corbusier's belief in the skillful play of volumes, a new book depicts the Indian city of Chandigarh.
Kenesha Sneed makes ceramics in her home studio that celebrate all things good about the Southern California life.
Spanish designer Tomás Alonso makes time for both the big and the smaller projects, fascinated by different design constraints.
Andreas Murkudis, vendor of fine wares, reflects on objects of beauty that resisted capture.
Kalle Gustafsson’s collection of Pierre Jeanneret’s furniture brings the designer out of the shadow of his famous collaborator, Le Corbusier.
Having fallen out of favor by the end of the last century, brutalist architecture is back with a vengeance.
“I dwell in the city and the city dwells in me,” Juhani Pallasmaa writes.
Architect Sophie Hicks discusses how she keeps her competitive impulses in balance.
Canadian designer Philippe Malouin shares his way to beat beating around the bush.
Still standing: design historian Witold Rybczynski’s appreciation of the chair and its 5,000-year history.
Paris-based designer Pauline Deltour isn’t afraid to walk the razor-sharp line between art and design.
A self-described introvert, rising architect Bernard Dubois is like his work—not as serious as he first appears.
The creative director of Overgaard and Dyrman has discovered that one thing is to be leading your field, quite another to be the leader of your team.
The traces that insects leave around our homes remind us that we’ve got permanent company.
Seminal Indian architect B. V. Doshi describes the difference between a house and a home.
French architect Joseph Dirand acquired his first Prouvé chair at the tender age of 17 and has favored function over form ever since.
We examine how Le Corbusier’s early travels had a lasting influence on his iconic 20th-century architecture.
Come rain or shine, this longtime Stockholm resident appreciates his city for all it has to offer.
We chat with the folks at the Hotel Fontevraud about working within the stunningly refurbished walls of one of France’s most beautiful abbeys.
Even though we’re separated by seas, resorting to old-fashioned methods of communication still gets our messages across—literally.
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